Is cinna gay

Was Cinna gay? The only person who could tell you that is Suzanne Collins. If you think he's gay, then he's gay. I don't believe his sexual preference is stated or hinted in the books. That's a terribly irrelevant question. Never thought he was. The movie made it seem that way though. I doubt it. Cinna Attitudes about queer people in The Cpaitoal aren’t really explored in the books, but it would make sense for Cinna to be a queer man.

For one thing, he is a fashion designer and stylist. While this doesn’t mean he couldn’t be heterosexual, he does seem comfortable with his feminine side and to not care what others think of him. Kravitz said of the assumption, “ I’ll be quite frank with you—I didn’t know about Hunger Games—so when I’m telling kids and they say, ‘Who are you playing?’ and I say Cinna, they go, ‘Oh you’re. Now, Suzanne Collins has revealed that another Hunger Games character is gay in her book Sunrise on the Reaping.

He’s bisexual and you could think he’s gay, you could think he’s straight, you’re not really sure. It’s very subtle. You wouldn’t know it, but Cinna’s speech patterns and the way he enunciates. For as long as queer authors have existed, so has queer coding as a way of putting queer characters in their books without having to face the associated backlash.

In more restrictive times, authors had to be very careful about what they tried to publish and relied largely on subtle references to stereotypes and coded slang from queer communities. Now that homosexuality is no longer illegal and queerness of all kinds is becoming more widely accepted, authors are able to be more bold in the way they code their characters as queer. Many authors simply skip over coding and make their characters explicitly queer.

Others, like Noelle Stevenson, use a combination of queer coding and explicit queerness to appeal to a variety of audiences on a variety of levels. Today, queer coding often gets a bad rap, because writers tend to most obviously queer code villains looking at you, Disney , which perpetuates negative stereotypes about queer people. But any character—good, bad, or morally ambiguous—can be coded as queer.

Actually, the three main characters are all some combination of hero and villain, which defies the queer villain trope right off the bat through lack of villain to queer code. Nimona is all about subverting tropes of all kinds. Her hair is short, unnaturally colored, and partially shaved, all trademark looks for modern queer women.

She also has several piercings, another common look for queer people of all genders. Her appearance is also fluid, as evidence from the very beginning by her dragon wings on the cover. She changes shapes, sizes, species, and even genders, depending on what the situation calls for. Nimona may look like a boy, but she still identifies as a girl, which codes her as transgender and offers a mirror in which trans people can see themselves represented.

He wears golden armor and works for the Institution of Law Enforcement and Heroics. But Stevenson is never one to follow well-known tropes, so instead Goldenloin, even though he calls himself a hero, is the damsel in distress. He has long, blond hair—blond hair is considered more feminine than brunet—his outfit resembles a flowy skirt, his body language oscillates between flamboyant 7 and meek 15 , and he has an hourglass figure Blackheart is the nominal villain of the story, but of all the characters, he proves to be the most morally upstanding.

He, like Nimona, has pierced ears and a partially shaven head; piercings and alternative hairstyles are common physical markers of queerness in men just as much as in women. Throughout the story, Stevenson implies that frenemies Blackheart and Goldenloin have some kind of mutual romantic feelings for one another. This moment makes their romance explicit, thwarting the expectation of queer baiting, a trope in which writers code two characters of the same gender as potential lovers but never follow through.

Stevenson does an excellent job of representing a variety of types of queer people and their relationships and avoiding harmful stereotypes while she does it. Simply putting queer characters in a book is not enough anymore; these characters need to exist as more than just a set of stereotypes and victims to harmful tropes. Overall, Nimona is a spectacular book all around for anyone—like me—who is tired of the same old tropes in every story.

Accessed 13 Dec. Waters, Michael.

Accessed 29 Nov. What is does have is a lot of queer coding. First of all, what is queer coding?

Cinna maintains a close

Today, the term has taken on a negative connotation, since we often see it applied to fictional villains. But at its core, queer coding is a neutral device that allows writers to subtly signal to their audiences that a certain character is gay without having to say it explicitly. Historically,this was a great way for authors to put queer characters in their works and still get published, due to restrictions on books and movies like the Hays Code, which forbade explicit depictions of homosexuality in Hollywood in the mid th century.

Today, when no such restrictions exist, the device has largely turned into a way for authors to retroactively point to queer-coded characters as examples of representation without having to actually write queer characters remember Dumbledore?