Gay soprano

Vito Spatafore, a gay character in The Sopranos, faced significant challenges due to his sexuality. After being outed in a gay club, his standing among his and Tony's crew declined. Perhaps The Sopranos's boldest convention-challenging exploration came during the show's final season when Vito Spatafore - Tony Soprano's highest earner - was revealed to be a closeted gay man. Dressed in appropriate leather bar attire, Vito Spatafore — the heretofore closeted gay mobster — was sighted by a couple wiseguys who came by the sweaty S&M joint to collect their protection.

Gannascoli had read a book about a gay mobster who was an associate of New York’s Gambino crime family. And he saw this real-life underworld figure as a great model for Vito. Though the writers. There’s a lot of shared territory between this branch of s/s Italian-American ultra-macho culture and gay men’s club culture of the same period.” Freelance critic Sam Bodrojan argues that The Sopranos, more than any other contemporary work, understands the social tracts of performing gender in accepted society.

The Sopranos is one of the best things to happen to HBO, let alone television entirely. With creative story arcs and interesting characters to follow, the mafia violence succinctly tied it all together. It pushed television into a new era, often called The Golden Age. The Sopranos did a beautiful job of creating characters that audiences could latch on to.

Fans got to watch the rise of some of the secondary characters who kept the North Jersey mob afloat. One of those characters was Vito Spatafore, played by Joseph R. Vito had a different arc than most of the characters in The Sopranos but faced the same turmoil that most of the secondary characters dealt with. Vito took opportunities to become a top earner and worked hard to earn his place in the world of organized crime.

He also had a personal life that little to no one knew about, until it caught up with him. While Vito had a valiant start in the North Jersey Mafia, his downfall is one of the most tragic occurrences in the show. Forced to hide his sexuality from his peers in fear of retaliation, he's brutally murdered by a rival crime family.

To make things worse, his family is left completely alone and unsupported. This article was updated to include information about the fate of Vito's wife and kids. When Vito Spatafore is first introduced in The Sopranos , he's trying to get justice on behalf of his brother who was beaten into a coma.

His arc has a slow beginning, but the audience learns he's related by law to Phil Leotardo, and he works under Richie Aprile's crew, with Ralph Cifaretto. Tony sanctions the hit against the man who caused Vito's brother to fall into a coma, which Vito appreciates. The Sopranos dream sequences often gave audiences a David Lynch-type glimpse into Tony Soprano's subconscious.

In season three, Vito is tasked with killing Jackie Aprile Jr. Aprile's father was an honorable man, but his son was a troublemaker and killed people that he shouldn't have. The hit Vito perpetrates is gruesome and sneaky, but quickly done.

sopranos - vito is gay episode

He sneaks up behind Aprile Jr. This demonstrates his dependability. In season four, due to the murder of Ralph Cifaretto, Vito is promoted to a captain role among the Aprile crew. In The Sopranos , Vito seems like a quintessential mob guy. He has multiple ways of earning. He contemplates how to move up in the crime family, and he takes care of his family.

He even intended to take over for Tony when the mob boss was comatose in Season 6. When Tony is injured by his uncle, everyone theorizes who is best suited to assume Tony's position. Vito chases this goal with ambition, even if it means trouble with other members like Paulie Gualtieri. In all his aspirations, though, Vito Spatafore is living a double life.

In The Sopranos , Vito works as a contractor and Tony helps to get his daughter's boyfriend a job there. Finn, Meadow's boyfriend, has a handful of awkward exchanges with Vito that leads Finn to question the other man's intentions toward him.